País de Aguas is a work composed of analog photographs, an anthotype, and a poem that invites reflection on how we inhabit the landscape of water in a country that seems to take its infinitude for granted. Through the poetics of word and image, I seek to sensitize and invite a different way of seeing water: not as an infinite, pollutable consumer good, but as life itself.

The ephemeral nature of the anthotype serves as a metaphor for freshwater that could disappear, inviting us to rethink our relationship with nature and the toxic processes of creation. Spirulina, beyond its technical use, speculates on alternatives for dyes and for water decontamination.